by Katharine Elizabeth Monahan Huntley Lisa Cholodenko’s cinematic choices intrigue: in High Art her focus is on Syd, a self-conscious, apple-cheeked assistant editor for “Frame” magazine who chances upon reclusive photographer Lucy Berliner (a suggestion of Nan Goldin), all heroin chic and Sapphic slouch. A love curious story set against the New York world of art, intellect, … Continue reading L.A. Lore: Laurel Canyon and Wonderland Film Reviews