Autumn
2003 Mardi Gras Volume
3 Issue 1 Write Between the
Linesis an exploration
and articulation of the obvious and the obscure. A cavalcade of
creation and commentary designed to amuse and bemuse.
Carnivàle
There's no biz like showbiz, even
amidst titanic rust colored dust storms in depression era
Oklahoma:
Samson: I'm about to make
you the offer of a lifetime. . . . How would you like a career
in showbizness?
Ben: What's the wages?
Samson: Nothing at first
. . .
Tales told of the curious carnies'
code. DiVine DuVall. John Savage. John Doe. Samson the Magnificent.
God and Babylon. . . . Yes, join this circus.
A Decade Under the Influence Auteurs
articulate recollections of 70s films that were not just "canaries
in a cage" but viable life forces that effected
cultural change. Prescient to what would happen once they
hit the big time can be found in an exchange between Peter
Fonda and Dennis Hopper's characters in Easy Rider:
Peter: You know Billy .
. . we blew it.
Billy: What? . . . That's
what it's all about, man. . . . I mean, you go for the big
money and you're free, you dig?
Peter: We blew it.
Gracious is the wish these "easy
riders raging bulls" hold for the new generation of filmmakers
who interview the filmmakers for the Decade
documentary: that is to continue
to follow their dreams on the path of independence.
The Kid Stays in the Picture Robert
Evans animatedly revisits his decades under the influence
through signature oversized rose-colored glasses.
Love Actually A wry slice
of sigh.
Master and Commander: The Far Side of the World Technically
well done, but it's no Captain Ron.
Matchstick Men Is there
anything wrong with an obsessive-compulsive disorder? Not
when it puts the quirk in the con artist.
The
Office BBC America broadcasts
the pathos and bathos of office politics without a
bloody laughtrack.
The School of Rock I know,
it's only rock 'n roll but I like it, like it, yes
I do. Get yer hey ya-ya's out in pedagogues Richard Linklater,
Mike White, and manic Jack Black's music appreciation class.